Three structural shifts explain why audiences have fragmented, and why every creator now faces the same reality. Netflix’s latest hits aren’t attracting the same audiences in their second seasons. Some conclude Netflix has lost its edge. I don’t think that’s… Continue Reading →
Just wrapped up an episode of WatchMojo’s Inside series podcast where Rob Flis & I broke down the macro trends that led to the transaction, as well as what it means for stakeholders. Watch, or read below the video. If… Continue Reading →
The Streaming Landscape has generally been the same for a good amount of time. YouTube has always been a free-short form AVOD Model while Netflix has always been a long-form SVOD Model. You can learn more about these two advertising… Continue Reading →
EarBuds is on a mission to transform the way streaming content is experienced, and to enable reliable sources of income for talented creators and artists.
Google is valued at $1.6 trillion dollars in market capitalization. YouTube accounts for at least a third of that. I’ve certainly been a YouTube bull since day 1. Back in 2006, right before Google plunked down $1.65 billion for the… Continue Reading →
In this latest dispute between Talent and Owners, it’s worth remembering that Audiences don’t care about creator feelings nor corporations’ stock prices. I get it, I empathize with all sides. I’m not here to tell you which side is right,… Continue Reading →
YouTube and Netflix won the AVOD (Advertising Video on Demand) and SVOD (Subscription Video on Demand) wars, respectively, but the way they did so is wildly different. A non-paying user isn’t as valuable as a paying subscriber, of course, but… Continue Reading →
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